Media student Frazan Adil Kotwal lets us into the fascinating world of opera music, confessing that his dream is to be ‘the first great Zoroastrian singer of the classical world’
It’s an unusual choice in India to be an opera singer. What lead you in that direction?
Yes, it is indeed a very unusual choice, especially for a 19-yearold BMM student who is also a Parsi priest! I have always been fascinated by opera as a child, but ever since I shifted to Mumbai I discovered there is a small but growing crowd here. I happened to meet Patricia Rozario (a world renowned opera singer) who heard me and encouraged me to sing in the operas at the NCPA , that was my first tryst with live opera, the irony being that I have never seen a live performance but have sung in one. But as soon as I got on that stage I knew for sure that this is what I want to do for the rest of my life and after that I have been performing every 3 to 4 months with orchestras like the Bombay Chamber Orchestra. I also had the undying support of my college Jai Hind and my BMM co-ordinator Dr Varalakshmi without which I wouldn’t have been able to be a part of any of these productions.
When did you realise that you have a gift for music?
I always considered myself as a performing artist; ever since I was a toddler I used to take part in all the plays and choirs. Singing was what I connected to the most and felt happiest when I was singing for others. I started learning the piano and used to compose my own tunes and soon took up the violin and just practised very hard. It’s also a lot of hard work and dedication.
How many musical instruments do you play? How easy/difficult do you find switching from one to another?
Well, violin is my primary instrument. I also play the viola, cello, harmonica and a spattering of piano. I don’t find it difficult at all switching between instruments as all I need to do is focus and all the practice pays off.
If you could be part of any international music-based project (orchestra, opera, musical, etc) which one would it be?
For opera I would love to be a part of a big scale production like Aida or Parsifal or Die Zauberflote. The sheer magnitude of these productions always send chills down my spine and just watching them on screen gives me the inspiration to work harder.
For someone untrained in opera music, what is the best way to enjoy an opera? Is it about the emotion and the voice or the story and the haracters?
Almost all my friends and family say that they don’t enjoy opera because they don’t understand the language and the music. To everyone out there I say, it’s not only about the language but you should be able to sit back relax and enjoy and “feel” the music and interpret it in your own way. You only enjoy the whole experience once you surrender yourself completely.
Since you dabble in theatre, do you have aspirations to move to Bollywood?
Opera is just like Bollywood – full of drama! Yes, when the right opportunities present itself I will definitely consider them. But as of now my focus is performing on stage, there’s nothing quite like that feeling.
Speaking of Bollywood, what is your opinion on Bollywood music? Do you cringe when you go to a club and hear, say, ‘Sheela ki jawani’?
Oh no, not at all! I appreciate all genres of music and try and appreciate them too. When I hear Sheela ki jawani I don’t cringe, I dance.
Arpeggio with Frazan
Frazan in 5 years will be: still studying and also will be performing side-by-side. Although if it’s 10 years, then the first great Zoroastrian singer of the classical world.
Dream role to play on stage:
Turridu from Cavalleria Rusticana and Beppe or Canio from Pagliacci, as those are the first operas I had sung in.
Favourite musician, living or dead:
Sarah Brightman
Any contemporary story (film/book/play) that you think would make a great opera for India:
I think most Yash Raj and Karan Johar films like DDLJ and Kabhi Khushi Kabhi Gham
If you were a song, which one would you be?
Silent noon by Ralph Vaughn Williams. Hindi – Aao milo chalein from Jab
We Met
Volume 2 Issue 10
