Nathaniel D’Costa talks to filmmaker Pavitra Chalam about her company CurleyStreet Media and making a difference through films
How did you begin your career as a filmmaker?
In my formative years, my films were shot on whatever camera I could lay my hands on. I got my first break when I was chosen to participate in the Youth Initiative for Peace in Pakistan where I made my debut film Bus. I then took on the role of a journalist at the U.N World Youth Congress held in Morocco and later went on to create films on Youth Action and Change for Peace Child International in Europe.
What made you focus on social films?
I observed that documentaries and films based on social issues often have poor reach simply because aesthetics get sidelined by content. I believe that reality lends itself to a certain aesthetic that is often overlooked by filmmakers the world over. This is what we want to bring to the world through our non-fiction films.
Tell us a little bit more about your company CurleyStreet Media (CSM).
As a media company, CSM aims to create narratives that inspire, initiate and inform. I believe film to be the most powerful story-telling medium because it engages our senses and makes us live the moment.
How difficult is it to promote a film based on social themes?
It is very challenging. Firstly, it needs to be seen by a large number of people the world over. Traditional methods of film promotion are expensive and films based on social causes cannot afford them. Social media and film festivals are great ways for us to address this objective. Secondly, it should be able to inspire people to get involved with the cause. If the content makes people uncomfortable, they find it easier to make up an excuse to switch off. We strive to make films that walk the thin line between engaging and uncomfortable.
How much of an impact does film have in India for social change and awareness?
There are tons of positive examples in mainstream Indian cinema such as Taare Zameen Par, Munna Bhai, Vicky Donor and even shows like Satyamev Jayate which have raised pertinent issues. However, the best examples in my opinion are some of the social message films that are screened in theatres. The Bangalore police had a one-minute film on road accidents which used to be shown just before film screenings in multiplexes. Statistics proved that there was a significant drop in accidents across the city after the release of the short film.
How did your last film ‘Indelible’ come about?
The journey began with an unforgettable conversation with an amazing woman, Dr Surekha Ramachandran. Dr Ramachandran s the Co-Founder and Chairperson of the Down’s Syndrome Federation of India. Her own association with Down’s syndrome began with the birth of her child, Babli. For over three decades, she has been fighting to raise awareness about Down’s syndrome in India.
What stage is ‘Indelible’ at?
The final stage! After the censor certificate goes through, we hit the film festival circuit including the Thinline Film Festival, Picture This Film Festival, India International Film Festival of Tampa Bay and Delhi Short Film Festival, to name a few.
What is next for you and CurleyStreet Media?
We are presently camped in Delhi to document the remarkable story of Roona Begum, an 18-month-old who has been flown in from Tripura to undergo surgery for hydrocephalus, a condition that has caused her brain to swell to three times its normal size. In the pipeline is a call-to-action film with Amnesty International on the Public Safety Act in Kashmir. We are also in pre-production for two films; the first for a Kerala based organisation called the Society for Rehabilitation of the Visually Challenged who have put together south India’s first blind football team, and the second for the Association for the Mentally Challenged in Bangalore to help families with mentally challenged people.
Is there a way where young people can get involved in your projects?
Hell yeah! We need help to spread the good word which you can do by sharing the stories we tell with the world on social media. Also, we often have requirements for design and animation work. Do give us a shout if you are keen to collaborate with us.
A filmmaker that inspires you
The Coen Brothers
Critical acclaim or commercial success?
An ad or a documentary you wish you had made
March of the Penguins
Volume 3 Issue 1